By Michael Cunningham
Completed October 27, 2007
The Hours is a complex yet succinct look into the lives of three women: Virginia Woolf as she writes Mrs. Dalloway, Clarissa Vaughan as she plans a party for her best friend, Richard, and Laura Brown as she plans a birthday party for her husband. These three women's stories are distinctive and seemingly unrelated, but as the book ends, you are swept into the many parallels and connections of these women's lives.
Without spoiling the ending, I will remark that some of these parallels include lesbianism, suicide, party plannning and Woolf's Mrs. Dalloway. It's an eclectic mix, but if you're familar with Woolf's literature, you will probably connect the dots pretty quickly. Admittedly, I have not read any of Woolf's books, but a quick study of her on Wikipedia was enough for me to fully appreciate what Michael Cunningham was trying to tell in his Pulitzer prize winning story.
The Hours is an interesting women's tale with characters you can empathize with. I feel fortunate to have seen the movie before reading the book, so the talents of Meryl Streep, Julianne Moore, Nicole Kidman and Ed Harris filled my head as I read Cunningham's words. I highly recommend either one, or even better, both the book and movie for an introspective look into the lives of three thought-provoking women.
Saturday, October 27, 2007
Friday, October 12, 2007
Books I've Read (with links to reviews where available):
2007 - The Road (MacCarthy)
2003 - Middlesex (Eugenides)
2000 - Interpreter of Maladies (Lahiri)
1995 - The Stone Diaries (Shields)
1994 - The Shipping News (Proulx)
1992 - A Thousand Acres (Smiley)
1988 - Beloved (Morrison)
1973 - The Optimist’s Daughter (Welty)
1961 - To Kill a Mockingbird (Lee)
1940 - The Grapes of Wrath (Steinbeck)
1937 - Gone with the Wind (Mitchell)
1921 - The Age of Innocence (Wharton)
Interpreter of Maladies
- A Temporary Matter – A couple mourns the loss of a stillborn baby, and begins sharing secrets with one another during a power outage. Their grief, and the void between them, is palpable.
- Sexy – Miranda, an American woman, has an affair with a married Indian man. At the same time, her office mate consoles her cousin in India, whose husband has left her for a young English woman. Miranda meets the cousin on a visit to the US and, while babysitting her son, has a revelation about her own romantic relationship.
- Mrs. Sen’s – An Indian woman has recently arrived in the US, and provides after-school care for a boy while her husband teaches at a local university. She is isolated and lonely, is afraid to drive a car, and longs for friends and comforts of home.
- The Third and Final Continent – A young man, educated in London, comes to the US to work at a university. He is recently married, and waiting for his wife’s immigration papers to be processed so she can join him. For six weeks he rents a room from Mrs. Croft, a 103-year-old woman whose daughter visits once a week to deliver food. He contemplates the woman’s infirmity and isolation, as well as his own emotional uncertainty about life as a married man.
Saturday, October 6, 2007
The Magnificent Ambersons, aside from the time period, the early 1900's, and the setting, the American Midwest, is not at all like Penrod. As an under current in the book, Tarkington preaches about the general nastiness and inevitability of urban sprawl and how the automobile and the factory have destroyed community and cleanliness and all that makes life worthwhile. Preaching aside, Mr. Tarkington still manages to tell an engaging story, a sort of family epic, the rise and fall of the Ambersons.
Georgie Amberson Minafer is a spoiled rich brat, reared in luxury and with a sense of entitlement. The Ambersons, George's mother's family, are the center of society in their "Midland town." From the beginning of the novel, the author sets Georgie up for disaster; the entire town is waiting for George Amberson Minafer to get his "come-upance". As George grows up the reckoning is delayed again and again, but the most casual reader must know that George's pride goeth before a fall. George's favorite word for other people, all others who aren't Ambersons, is "riff-raff". His attitude can only and always be described as condescending, even with the young lady with whom he falls in love.
So, The Magnificent Ambersons is first of all a cautionary tale. Pride is destructive. Things change; no one stays on top forever. Fortunes come and go. Only those who are strong, wise, and flexible, and maybe even lucky, can persevere to enjoy the good life.
However, the book is not just a preachy, moralistic fable. It's a picture of life at the turn of the century, of how change affects different personalities. It's a love story about a mother who idolizes her son, and a young man who loves his family pride more than he cares for the woman who is willing to overlook many of his faults and who could have made him happy. And the ending is about forgiveness and hope and the possibility that broken things can be, if not mended, perhaps made new.
I've not seen the Orson Welles movie based on this book, but I plan to do so. After reading the novel, I can see how this books would make a great "old movie". No modern remakes, however, nowadays a writer and director would most likely ruin the movie version with gratuitous sex and a plot in which only the characters' names were borrowed from the original book.
A Work in Progress review of The Magnificent Ambersons.
Jones really knows how to write his characters. Each one was very clearly defined. I won't give away too much of the story here but will write a brief overview.
Henry and Caldonia Townsend are slave owners who are black themselves. Henry's father had freed himself and his wife, and then later Henry. While Henry was still a slave under William Robbins, he became somewhat of a favorite, and was later instructed by Robbins on how to be a proper slave owner. Henry builds up quite a plantation but then dies unexpectedly. How Caldonia, along with her overseer Moses, runs the plantation afterward forms the rest of the novel.
Several issues are presented in the book. Whites' attitudes towards blacks, both slave and free; the function of "the law;" men's attitudes towards women (and vice versa); and the question of how and why blacks could own slaves themselves.
This is a very well-written book, and I struggled on whether to rate it a 4 or 4.5. There is some content in the book that downgrades it slightly for me. Consider it a very high 4.
2003, 388 pp.
Pulitzer Prize, NBCC Award, IMPAC Award
See my review at the above URL.
Thursday, October 4, 2007
The Known World
The Amazing Adventures of Kavalier & Clay
Interpreter of Maladies
The Stone Diaries
The Shipping News
A Good Scent from a Strange Mountain
A Thousand Acres
The Mambo Kings Play Songs of Love
A Summons to Memphis
The Color Purple
A Confederacy of Dunces
The Killer Angels
The Optimist's Daughter
Angle of Repose
House Made of Dawn
The Confessions of Nat Turner
The Edge of Sadness
To Kill A Mockingbiord
Advise and Consent
The Travels of Jaimie McPheeters
A Death in the Family
The Old Man and the Sea
The Caine Mutiny
The Way Wet
Guard of Honor
All the King's Men
A Bell for Adano
Grapes of Wrath
The Late George Apley
Gone wit the Wind
The Good Earth
Scarlet Sister Mary
The Bridge of San Luis Rey
The Age of Innocence
My goal is to complete the list by the end of 2008. It is my first reading project, and although there were some slow reads in this list, the majority are very good. It especially heartens me to pick up an older, obscure book that is long forgotten in the literary world. I scoff at the NY Times Best Seller List!