Friday, November 20, 2009
Thursday, April 17, 2008
Angle of Repose - Wendy's Book Review
What interests me in all these papers is not Susan Burling Ward the novelist and illustrator, and not Oliver Ward the engineer, and not the West they spend their lives in. What really interests me is how two such unlike particles clung together, and under what strains, rolling downhill into their future until they reached the angle of repose where I knew them. That’s where the interest is. That’s where the meaning will be if I find any. -From Angle of Repose, page 199- Lyman Ward, a retired history professor and writer, returns to his grandparent’s home in Grass Valley, California - wheelchair bound and facing a progressive, crippling bone disease. His intent is to research his grandmother’s life through the news clippings and letters of her past. To write her story, Ward must fill in gaps, imagine conversations, and uncover the truths which lie hidden in Susan Burling Ward’s history. During this one hot, dry summer in a quest to know his grandmother, he will discover the meaning beneath the shadows of his own life.
Wallace Stegner penned Angle of Repose in 1971 for which he won the prestigious Pulitzer Prize. The novel - said to be his masterpiece - connects two points in American history…that of the late nineteenth century West with that of the turbulent, sometimes self-indulgent Vietnam era. Stegner creates complex and intriguing characters. Susan Burling (based on the historical figure of Mary Hallock Foote - a nineteenth century writer and illustrator) becomes an unlikely pioneer when she marries the quiet and ambitious dreamer Oliver Ward. Their adventures in mining camps and the vast wilderness of Mexico, Colorado, Idaho, and California create a backdrop of unbelievable beauty and isolation from which their lives unfold.
She guided her horse through willows and alders and runted birches, leaned and weaved until the brush ended and she broke into the open. She was at the edge of a meadow miles long, not a tree in it except for the wriggling line that marked the course of the Lake Fork. Stirrup-high grass flowed and flawed in the wind, and its motion revealed and hid and revealed again streaks and splashes of flowers-rust of paintbrush, blue of pentstemon, yellow of buttercups, scarlet of gilia, blue-tinged white of columbines. All around, rimming the valley, bare peaks patched with snow looked down from above the scalloped curve of timberline. -From Angle of Repose, page 237-
Angle of Repose is not simply an historical novel. It explores the idea of identity and how the past often intersects the present. When Lyman Ward explores his grandmother’s story, he is really seeking to find understanding in his own life.
Fooling around in the papers my grandparents, especially my grandmother, left behind, I get glimpses of lives close to mine, related to mine in ways I recognize but don’t completely comprehend. - From Angle of Repose, page 5-
Stegner’s prose is alluring, filled with gorgeous descriptions which engage the reader’s senses. His characters are bigger than life, but carry real flaws which allow the reader to identify with them; to nod in understanding; to empathize with their torments and cheer for their successes. I can understand why Angle of Repose is lauded, why it captured the Pulitzer and why readers are quick to recommend it. I found myself completely immersed in the lives of Susan, Oliver and Lyman Ward and I was sad to turn the last page of this sprawling and satisfying novel.
Highly recommended; a must read; rated 5/5.
Tuesday, March 11, 2008
Margaret's Introduction & 1972 Angle of Repose by Wallace Stegner
1940 - The Grapes of Wrath, John Steinbeck
1972 - Angle of Repose, Wallace Stegner
1988 – Beloved, Toni Morrison
1995 - The Stone Diaries, Carol Shields
1999 - The Hours, Michael Cunningham
2006 – March, Geraldine Brooks
Apart from Angle of Repose I read these books before I started writing my blog. This is what I wrote about Angle of Repose, which Stegner based on the letters of Mary Hallock Foote.
"This book won the Pullitzer Prize for fiction in 1972. It is the story of Lyman Ward, a wheelchair bound retired historian who is writing his grandparents' life history and also gradually reveals his own story. I now know much more about the early days of the opening up of America's western frontier than I learnt from TV cowbow series and films such as Butch Cassidy and the Sundance Kid etc. The story is of Oliver Ward's struggles with various mining and engineering construction jobs, contrasted with Susan Ward's efforts to support him against great difficulties. This is made more difficult when she compares her life with that of her New York society friend, Augusta.
It's a long book, but completely enthralling. There are long letters from Susan to her friends which I think are taken directly from Mary Foote's own letters and these are such descriptive letters that I could imagine what life was really like at that time and place. My only criticism is that I felt the ending came too quickly and was too compacted. I wanted to know more about Susan and Oliver. It was as though Lyman became too disappointed with how their life turned out, or maybe it was because he was too engrossed in his own problems, his illness and difficulties in his personal life.”
The only other book by Stegner that I’ve read is Crossing To Safety, which is a great book. I wrote about it here.
I read the Grapes of Wrath whilst at school, so I may have to re-read this sometime. The rest I’ve read over the last two years apart from Beloved (which I loved), which I read about 10 years ago. I have a copy of The Color Purple by Alice Walker, so I think I’ll read that first. Depending on which books I can find (borrow) I’d also like to read at least:
1953 The Old Man and the Sea by Ernest Hemingway
1961 - To Kill a Mockingbird by Harper Lee
1994 - The Shipping News by E Annie Proulx
Friday, September 7, 2007
Angle of Repose by Wallace Stegner

Wednesday, August 8, 2007
1972 - Angle of Repose - 3M's Review
Angle of Repose by Wallace Stegner won the Pulitzer Prize in 1972. It is a story about family, marriage, and even American history. Susan Burling Ward, an artist from the East, goes West with her Western mining engineer husband to "begin a new civilization". Their struggles with each other, with outsiders, and the land itself are chronicled by Lyman Ward, their grandson who is a retired history professor. As Lyman ends their story, he realizes certain parallel struggles in his own story and wonders how he will overcome them.I enjoyed Stegner's writing very much. I thought his portrayal of Susan was very convincing. I enjoyed his grandparents' story a little more than his own just because there was some s*xual dialogue used that I don't care for. These were few and far between though, and I do plan on reading more from this author.
1971, 569 pp.
Pulitzer - 1972
Rating: 4/5
Wallace Stegner
569 pages
What interests me in all these papers is not Susan Burling Ward the novelist and illustrator, and not Oliver Ward the engineer, and not the West they spend their lives in. What really interests me is how two such unlike particles clung together, and under what strains, rolling downhill into their future until they reached the angle of repose where I knew them. That's where the interest is. That's where the meaning will be if I find any. (p. 211)
Lyman Ward is writing a family history. More specifically, it's the story of a marriage between his grandmother (Susan Burling Ward) and grandfather (Oliver Ward) who lived in the American West in the late 1800s. Day after day, Lyman pores over family records, news clippings, and letters, and records his thoughts on cassette tapes. Lyman lives alone, is out of touch with his family, and severely disabled due to a bone disease. He gets around in a wheelchair, and uses only a few rooms of his house. Every evening a neighbor woman stops in to check on Lyman and give him his bath, and they have a nightcap together. The story of Susan and Oliver Ward begins around 1870, when Susan was a budding artist in New York. She moves in artsy social circles, and spends nearly every minute with a very dear friend, Augusta. When Augusta decides to marry Susan sees their relationship beginning to change, and she sets her sights on Oliver, a mining engineer. While they agree to marry, the union is put off for several years while Oliver establishes his career and readies a home for himself and Susan.
When frontier historians theorize about the uprooted, the lawless, the purseless, and the socially cut-off who settled the West, they are not talking about people like my grandmother. So much that was cherished and loved, women like her had to give up; and the more they gave it up, the more they carried it helplessly with them. It was a process like ionization: what was subtracted from one pole was added to the other. (p. 277)
In moving west, Susan sacrificed all she knew and held dear. Accustomed to moving in cultured, literate circles, she initially threw herself into mining camp life with gusto. But she brought her art supplies with her, and continued to draw. Augusta's husband Thomas, now a successful magazine editor, commissioned several pieces and relied on Susan for her interesting portraits of life in the far-off west. Susan also enjoyed evenings by the fire with two of Oliver's colleagues, Frank Sargent and Ian Price. In them she found others who loved literature and stimulating conversation; it fed her soul.
I know that Grandfather was trying to do, by personal initiative and with the financial resources of a small and struggling corporation, what only the immense power of the federal government ultimately proved able to do. That does not mean he was foolish or mistaken. He was premature. His clock was set on pioneer time. He met trains that had not yet arrived, he waited on platforms that hadn't yet been built, beside tracks that might never be laid .... Hope was always out ahead of fact, possibility obscured the outlines of reality. (p. 382)
Oliver was a successful engineer, rewarded for his hard work through promotions and special projects. He was a bit of a dreamer, envisioning possibilities and developing new materials and methods in his own time. He was usually a bit ahead of the curve, with ideas not quite ready for prime time. And while money was often tight, Oliver refused to allow Susan's earnings to be used to support the family. Oliver and Susan had a family, and moved several times for Oliver's work. Their son Ollie (Lyman's father) was often sent to stay with relatives in New York, because the mining camps were deemed unsuitable.
Through his research, Lyman carefully pieces together the story of Oliver and Susan's marriage, reconstructing the series of events which brought their relationship to the "angle of repose" (the angle at which soil settles after being dumped). Susan loved Oliver and had faith in his abilities, but was often disappointed with the actual results. She wanted so badly for her children to grow up refined and "Eastern," and became increasingly frustrated with their living conditions and the people she encountered day-to-day. Susan and Oliver's fortunes, and their hopes for the future, ebb and flow over the years. As Lyman tells Susan and Oliver's story, he tries to come to terms with his own failed marriage and the rapidly changing world around him.
I absolutely loved this book. The prose captured me instantly, and I became completely wrapped up both in Lyman's California of 1970, and the dusty Victorian mining camps. I identified strongly with Susan: her feelings of isolation, her persistence in keeping her artistic talents fresh, her devotion to her family, her longing for intellectual stimulation. And my heart went out to Lyman, with his own isolation and struggles with a failing body. These characters were so real to me; during the week it took me to read this book, I thought about them all the time. Towards the end, I wanted to prolong the relationship -- instead of rushing to finish, I read the last 50 pages very slowly, setting the book aside to make it last. This will undoubtedly make my "Top 10" list for the year. (
My original review can be found here.