Catch Up

I've been meaning to post my previously reviewed Pulitzer books for quite some time.

It took me so long to pull together the few posts that made up The Magnificent Ambersons below, that I've decided to just put up the links for my other two books so I can get on with reading more!

To Kill A Mockingbird by Harper Lee
The Bridge of San Luis Rey by Thornton Wilder

Happy Reading

Kata's Progress -- Newly Read 1920's

Slowly I am making my way through the Pulitzer Prize winners. Two themes keep on popping up. The first is that the characters are living in a time of change. The second is that what is near and dear to one generation is often less important or even rejected by the next generation. Below is what I have read from the 1920'a since I posted here in November. My reactions to the books are on my blog.

• 1921 The Age of Innocence
• 1922 Alice Adams
• 1923 One of Ours
• 1925 So Big
• 1926 Arrowsmith
• 1928 The Bridge of San Luis Rey
• 1929 Scarlet Sister Mary

The Bridge of San Luis Rey - Wendy's Review

Some say that we shall never know and that to the gods we are like the flies that the boys kill on a summer day, and some say, on the contrary, that the very sparrows do not lose a feather that has not been brushed away by the finger of God. - From The Bridge of San Luis Rey, page 9 -

Thornton Wilder earned the Pulitzer Prize in 1928 for The Bridge of San Luis Rey, which has been called his masterpiece. The novella (only 107 pages) begins in the summer of 1714 when a bridge of great construction fails and plunges five people to their deaths in the gorge below. A witness to the tragedy, Brother Juniper, embarks on a quest to prove divine intervention by exploring (in great depth) the lives of the people killed.

The book is essentially a lesson in philosophy - exploring the meaning of love, the twists and turns of one's life amid the greater scheme of things, and whether death is fate or God's plan. There are not any real answers to any of the questions - just the questions.

Wilder writes in old fashioned language and the novella is set in a foreign country with all the subtle references to politics and religion of the time. I admit to getting dragged down in it all and struggled to slog through and finish the book.

Wilder's character development is one of the strengths of the book; and Wilder does this within a very few pages which speaks to his gift as a writer. My favorite characters were the twins Esteban and Manual and I think Wilder does an apt job of presenting their relationship to each other and the devastation of loss that occurs between them. Wilder connects all the central characters to each other...something that took me by surprise...sort of like the six degrees of separation theory. Because of this I expected a resolution to the ultimate question: Could it have been fate that plunged these people to their deaths? Or something larger? But, Wilder apparently never intended to provide an answer. In the afterword of the book I read, the publisher shares a letter from Wilder to one of his readers:

'The book is not supposed to solve. A vague comfort is supposed to hover above the unanswered questions, but it is not a theorem with its Q.E.D. The book is supposed to be as puzzling and distressing as the news that five of your friends died in an automobile accident.'

Perhaps had this been a non fiction philosophy text, I could accept Wilder's cop out on this issue. But, this is a work of fiction and I wanted the character of Brother Juniper to at least come to his own conclusion. Instead, the reader is left with an odd feeling of detachment.

Because this has been touted as a great work of literature, I wanted not only to like it, but to "get it." I'm sorry to say, neither of those things happened.

Not recommended; rated a generous 3/5.