1989 - Breathing Lessons

I could have guessed before starting Breathing Lessons that the book would involve an ordinary family in Baltimore facing problems in an awkward but genuine way and somehow bumbling through to a moderately happy and definitely realistic end. That description fits every Anne Tyler book I’ve read and it fits this one too.

Unfortunately, this book sticks close to the basic theme without the variations that made the others I’ve read more interesting. For instance, Digging to America applies the basic theme to immigrant families; The Amateur Marriage takes the story further, to a post-divorce phase; The Accidental Tourist takes the show on the road to Paris; and Dinner at the Homesick Restaurant turns it around to the children’s perspective.

In contrast, Breathing Lessons is the basic story. It takes place in one day, when Ira and Maggie Moran drive to a funeral and, on the way back, stop to visit their granddaughter in Maggie’s attempt to reconcile their son and former daughter-in-law. In describing the events of the day, Tyler tells the story of the Morans’ courtship, marriage, and children’s lives. She does it with her typical and impressive authenticity.

My only problem was that Tyler’s authenticity seemed too typical. Stripped of the variations that livened up the other books, Breathing Lessons lacked a hook to grab my attention. If this had been the first Anne Tyler book I ever read, I would have loved it. But having read four others already, I felt like I was covering old territory with this one.

NOTES

Tyler won the 1989 Pulitzer Prize for Breathing Lessons.  It was my Pulitzer choice for the 2011 Battle of the Prizes, American Version challenge.

The Stories of John Cheever -- 1979

The Stories of John Cheever, which won the National Book Critics Circle award in 1978 and the Pulitzer in 1979, is a chronological collection that spans Cheever’s short story career, from pre-WWII up to 1973. To read this collection – just shy of 700 pages – is to live in Cheever’s head, tracking his artistic and personal development in a way that a single novel or volume of stories doesn’t allow.

These are not happy stories. The earlier pieces are particularly bleak and raw. While the later stories are deeper and more nuanced, they are still pretty dark. Precious few have cheerful resolutions. The best Cheever’s characters seem to achieve is contentment despite imperfect circumstances.

Cheever’s is a world of commuter trains and cocktail parties, where everyone wears hats, has a cook, drinks martinis at lunch, summers, sails, and commits adultery. Not everyone is rich; in fact, money problems are a continuing theme. But the trappings, however tarnished, of a mid-century, Northeast corridor, upper crust way of life hang on all the stories. And that is Cheever at his best. He can bring us so deep into that world that it feels like living it.

First posted on Rose City Reader.